Radiant, Rooted, and Ready: The Story of Kate Armstrong Ross

Basic Information

When I first came across Kate Armstrong Ross on a casting slate and later in an obituary for her mother, I felt like I’d stumbled into a family drama that reads like a small-screen prestige show — sharp dialogue, generations of arc, and the quiet choreography of people who know how to perform life both onstage and off. Here’s what the record lets us stitch together, in acts and beats.

Roots and family — names that anchor a story

Kate’s family reads like a recipe for an actor’s career: a mother who was a familiar presence on American television, a father who wrote and produced for the medium, and a sister whose life events made lifestyle pages. The names matter because they are the backdrop — and the sometimes noisy orchestra — to any artist’s life.

I like to imagine family dinners: a living room where scripts and punchlines float around the mashed potatoes, where someone practices a monologue between forkfuls of pie — it’s cinema as ordinary life.

Education, training, and the shape of a craft

Kate’s path shows the classic actor’s mix of liberal arts grounding and conservatory seasoning. A BA in Dramatic Arts from Kenyon College and a semester at the British American Drama Academy map onto a profile that values textual depth and stage technique. Those two institutions — one American, one steeped in classical training — give a performer both the curiosity of a campus liberal-arts education and the muscle of focused craft.

Numbers: Kenyon College’s drama programs and short-term conservatory stints like a BA-then-semestral training approach are typical of actors who split time between text work and technique; those choices often translate into stage credits in ensemble theaters and off-Broadway companies.

Career highlights — the work, the stages, the screen

If an artist’s résumé is a playlist, Kate’s includes theatre ensembles and indie short films — the tracks that add up to credibility rather than celebrity. She’s credited with stage work in New York companies such as Ensemble Studio Theatre, SoHo Repertory, and Labyrinth Theatre, and with performances in shorts like Keep the Gaslight Burning, The Frogmarch, and Trew Calling. These are the sort of projects that live in festival programs, in cramped theatre spaces with dimmed lights and the smell of coffee, and in the pockets of casting directors who are quietly building careers.

A quick ledger:

• Stage companies: 3+ named NYC ensembles.
• Short films: multiple indie titles credited.
• Festival appearances: mentions in festival circuits for shorts and indie films.

That ledger doesn’t shimmer with blockbuster grosses — it shimmers with something steadier: craft, community, and the incremental work that actors do between the big headlines.

Public presence, social life, and the rumor mill

Kate maintains a public presence through professional profiles and social-media touchpoints — the modern actor’s handshake with the world. There are Instagram posts and industry listings; there are the social notes that come when a family member is in the headlines. The most notable media moment that connected Kate to wider public attention was her appearance in reporting tied to her mother’s passing in 2021, which placed the family’s names into national coverage.

Gossip and tabloids? They exist on the periphery — brief, repetitive, and rarely substantive. The more interesting artifacts are the festival write-ups, the theatre program blurbs, the wedding announcement that introduces Daisy Schoenborn by name — small public documents that together form a patchwork biography.

Money, fame, and what we can’t reliably know

Net worth is a headline-grabber, but here it’s also a blank space — there’s no reliable public estimate attributed to Kate Armstrong Ross. That’s common for working actors whose lives are built on gigs, short films, and theater runs rather than franchise deals. Fame, in this sense, is not a bank balance but a set of fingerprints: credits, festival appearances, and the intimate, durable recognition of people who have seen the work live.

A few human beats

• Dates worth noting: parents married in 1982; Markie Post’s public passing in 2021 shifted attention to the family.
• Places that matter: Los Angeles (birthplace), New York City (where much of the stage work took place).
• Roles that matter: ensemble theatre roles, short film leads/supporting roles, storytelling performances.

I say “storytelling” because that’s how Kate seems to present herself — not merely as an actor in search of light, but as a teller of stories who moves between the stage and the intimate frame of short films.

FAQ

Who is Kate Armstrong Ross?

Kate Armstrong Ross is an actress and storyteller, born in Los Angeles and active in New York City’s theatre and indie film scenes.

Who are her immediate family members?

Her immediate family includes mother Markie Post (1950–2021), father Michael A. Ross, and sister Daisy Ross (now Daisy Schoenborn), with grandmother Marylee (Armstrong) Post noted in family records.

What are her notable career credits?

She has theatre credits with ensemble companies and roles in indie shorts such as Keep the Gaslight Burning, The Frogmarch, and Trew Calling.

What is known about her education and training?

She holds a BA in Dramatic Arts from Kenyon College and completed a semester at the British American Drama Academy.

Is there a public figure net worth for her?

No — there is no reliable public estimate of Kate Armstrong Ross’s net worth available.

Does she have a social-media presence?

Yes, she maintains professional profiles and a public Instagram presence that highlight her acting and storytelling work.

Was she in the news recently?

Kate’s name appeared in national coverage connected to her mother’s death in 2021 and in festival/program notices for her film and stage work.

Is Daisy Ross her sister and what is her married name?

Yes — Daisy Ross is Kate’s sister, and she appears in press as Daisy Schoenborn following her marriage.