Basic Information
| Field | Details |
|---|---|
| Full name | Satan Xerxes Carnacki Lavey |
| Date of birth | November 1, 1993 |
| Parents | Anton Szandor LaVey (father), Blanche Barton (mother) |
| Notable family | Karla LaVey (half-sister), Zeena Galatea Schreck (half-sister) |
| Public profile | Private — occasional mentions in Church of Satan material and fan communities |
| Known associations | Son of Anton LaVey (founder of the Church of Satan) |
| Public career | No public leadership role documented; lives a private life |
| Net worth | Not publicly documented |
When I first set out to write about someone with a name like Satan Xerxes Carnacki Lavey, it felt like opening a weathered book at midnight — one page bright with neon headline history, the next folded and secret. The pages we can read are short and precise: a birth date (November 1, 1993), two names that anchor him (Anton Szandor LaVey and Blanche Barton), and a handful of half-siblings who orbit the family story like satellites. What’s missing — and what makes the subject fascinating — is the space between those facts: privacy, choices, the way public myth tries to press into private life.
A lineage in numbers and dates
- Anton Szandor LaVey (1930–1997): the public, theatrical founder of the Church of Satan — larger than life in biography and in cultural echo.
- Blanche Barton (born Sharon Leigh Densley): a central figure in later Church history and the person identified as Satan Xerxes Carnacki Lavey’s mother.
- Birth of Satan Xerxes Carnacki Lavey: November 1, 1993 — a date that reads almost symbolically, sandwiched between Halloween and All Saints’ Day, as if a storyteller had placed a punctuation mark at the end of a gothic sentence.
The family map can be sketched in a simple table: names, relationships, a touch of public persona.
| Name | Relationship to Satan Xerxes Carnacki Lavey | Public role / note |
|---|---|---|
| Anton Szandor LaVey | Father | Founder of the Church of Satan (1930–1997) |
| Blanche Barton | Mother | Church of Satan figure, author and organizer in LaVey circles |
| Karla LaVey | Half-sister | Public-facing at times in Church-related events |
| Zeena Galatea Schreck | Half-sister | Former Church spokesperson who later distanced herself |
Career, public life, and the deliberate absence of spectacle
I write this as someone who loves a good origin story — superhero, cult leader, rock star — but here the story resists spectacle. There is no public résumé for Satan Xerxes Carnacki Lavey: no books, no offices, no official titles within the organization his father founded. If the family’s public chapters are neon posters and press photos, Satan Xerxes’s chapter is printed in pencil.
That absence itself says something. In an age when image is currency, choosing privacy is a form of currency, too — a personal, non-transferable wealth. Attempts to place him within a conventional career frame are met with the same answer: private life, little public leadership, occasional social mentions. The record is mostly silence, and silence in this case reads less like erasure and more like a boundary.
The family as a stage — and as a refuge
Families of famous figures often function like theater companies: roles handed down, scripts interpreted, spotlights shared and stolen. In this LaVey-Barton constellation, Anton’s dramatic flair and Blanche’s administrative presence set the scene; Karla and Zeena took on public roles at different times; Satan Xerxes stepped offstage.
- Anton LaVey: Imagine a performer’s bio in three lines — musician, mystic, showman — and you have the father’s public silhouette. His life (1930–1997) left a legacy both organizational and mythic.
- Blanche Barton: The partner who kept more than one ledger — of memory, of stewardship, and of family continuity — a bridge between public legacy and private life.
- Half-siblings: Karla and Zeena each chose different relationships to the family’s religion and public story — one participating at times in the communal narrative, the other stepping away.
I like to think of family as an improvised jazz quartet: sometimes playing in sync, sometimes improvising wildly, sometimes giving one player the solo and letting them vanish into the music. In this quartet, Satan Xerxes chose the softer instruments of privacy and distance.
Numbers that matter — public facts and blanks
- Birth year: 1993 (age in late 2025: 32) — a millennial, raised after his father’s death in 1997, coming of age in a world transformed by internet fandom and archival fascination.
- Public records available: sparse — official Church mentions and fan communities form the bulk of public references; no public financial data or documented professional record exists.
- Media mentions: scattered — social posts, fandom pages, FAQ-style notes; mostly biographical shorthand rather than investigative profiles.
The tone of rumors, the ethics of interest
Gossip loves a vacuum; when public data runs thin, speculation rushes in like wind through an open door. But there’s a responsibility in writing about someone whose life is intentionally private: to distinguish curiosity from intrusion, to note that absence of evidence is not evidence of absence. Saying “no public net worth is documented” is not the same as inventing a number. Saying “he leads a private life” is not the same as telling a story for clicks.
FAQ
Who is Satan Xerxes Carnacki Lavey?
Satan Xerxes Carnacki Lavey is the son of Anton Szandor LaVey and Blanche Barton, born November 1, 1993, and is known primarily through family and Church of Satan mentions rather than a public career.
Is he involved in the Church of Satan?
There is no public record indicating he has held formal leadership roles in the Church of Satan; official references describe him as living a private life.
Who are his immediate family members?
His immediate family includes father Anton Szandor LaVey (1930–1997), mother Blanche Barton, and half-siblings Karla LaVey and Zeena Galatea Schreck.
When was he born?
He was born on November 1, 1993.
Does he have a public career or net worth?
No verifiable public career details or net worth figures are documented; available information points to privacy rather than public enterprise.
Are there recent news or social media stories about him?
Mentions appear sporadically in fan posts and social media, but there are no sustained mainstream-media profiles or verified, ongoing public activity.
Why is information about him so limited?
Because he appears to have been kept out of the family’s public leadership and the available public materials emphasize his private life.
Should I expect more public information in the future?
There’s no public indication either way; his privacy suggests we should not presume forthcoming public disclosures.
